Surfacing: what we stop seeing once a sign has become part of the everyday urban surround.
Bridging: how one sign-function, like “pedestrian,” is realised differently from one culture’s streets to another.
These photographs are taken for pleasure, not on commission, yet a pattern shows up in them either way. The pull is toward the subtle, particular characteristics of the places passed through, and one subject keeps returning: city after city, the pedestrian sign, the figure that tells a body where and how to cross. The sign is so embedded in modern urban space that most people have stopped seeing it, and yet, looked at closely, it carries small characteristics that vary from one culture to the next.
The same attention that reads a city on a walking tour, or singles out one handmade object from an archive, is at work here with no brief and no client. The pedestrian-sign and manhole-cover series are the clearest cases: a personal pleasure that turns out to be a small field study in cross-cultural semiotics, evidence that the noticing is not a method switched on for work but a disposition carried everywhere.
Signs and readable surfaces: a civic code we move past without reading, drawn, cast, and stamped differently from one city to the next.
Set side by side, the signs show how a single code is drawn differently from one city to the next.
The city underfoot: each disc carrying a different civic signature, the same functional object re-inscribed by every city that casts it.
Photographs by the author · taken for pleasure · ongoing